Welcome to The Country Blues

A guide to Contemporary Acoustic and Traditional Blues

Old-time blues, acoustic blues, deep blues, traditional blues, pre-war blues, folk blues, primitive blues or Country blues, it has many names, but in its essence it is the pure, ethereal, original music of rural African-Americans that originated in the Southern USA during the 1920s and 1930s. Today, people of all ethnicity and origins play it worldwide. The blues has found kindred musical souls, celebrating the commonality of the human spirit. This website has one simple message: The acoustic blues is alive and well in the 21st Century––nothing more, nothing less. The musicians included here are keeping the traditions alive while helping the old-time blues progress and stay vibrant.

This website is INCOMPLETE but we are working on it. Feel free to pitch in. We have many hundreds of artists listed in the Who-is-Who directory in an effort to catalog everybody who is actively, predominately or prominently playing acoustic blues. Right now we are actively working to get 100 full profiles of worthy artists up. As such, this is a continuously dynamic effort. If you think somebody is missing from the Who-is-Who list, please submit the artist for inclusion. Nobody is purposely “omitted” from this website, as long as they meet the core criteria.

Artist Profiles

In the left side column, you will find full profiles of acoustic & traditional blues musicians worldwide. The profiles feature brief biographical information, photos, YouTube links and other information, as available. New artists are added constantly.

Who’s Who List

The ‘Who’s Who’ list includes over 400 active musicians who are making a contribution to the genre today. This is the definitive, and steadily growing, list of musicians from all over the world who play the acoustic blues. If you know somebody who deserves to be on it, let us know.

Blues Radio Documentary – 6 Hour blues primer Podcast

The in-depth documentary “I wish I was in Heaven Sitting Down” won several prestigious radio documentary awards, including ‘Best Documentary’ at the New York Festivals. This Podcast provides an ideal primer of the Mississippi Delta blues.

Photos

Original musician photos from the portfolio of fine art photographer Bibiana Huang Matheis. Country blues musicians and more. www.bibiphoto.com

Op-Ed

A collection of diverse articles, opinions, interviews, musicology, blues related creative writing, and other odd musings, by various authors. Feel free to submit relevant, well written material that advances to the topic.

Writers wanted

Are you a blues writer with a serious passion for the acoustic, folk-blues genre? We are looking for contributing writers. Contact us.

Testimonials

“Frank Matheis is one of the best blues journalists on the scene–a well-informed and independent voice, somebody willing to ask the tough questions rather than merely rehashing the artist’s press release. His terrific new website, The Country Blues, is the fruit of that deep knowledge and fearless engagement with the music we all love.”

Dr. Adam Gussow
Professor of Southern Studies
University of Mississippi
Author, musician & musicologist


“…I have found your website and podcasts to be a fantastic resource, and just plain fun (for a blues lover like me!).”

Prof. Steve Garabedian
Dept. of History
Marist College
Author of: Reds, Whites, and the Blues: Lawrence Gellert, “Negro Songs of Protest,” and the Leftwing Folksong Revival of the 1930s and 1940s


“This site is the greatest!  At last, something that points true fans of country blues to the quality of music that’s out there.  I could spend hours, days even, checking it all out. “

David Evans
Prof. of Ethnomusicology
University of Memphis
Musicologist, musician, author of Big Road Blues


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This resource is dedicated to Robert Johnson, and all the old masters, the itinerant minstrels, blues shouters and pickers who never saw fame and fortune in their own time, and could hardly imagine the posthumous love and adulation that would be bestowed upon them. We also tip our hat to Sam Charters, whose book “Country Blues” still stands as an inspiration to blues musicologists worldwide.

“Never play a note you don’t believe.”
- Ernest Banks